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How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays
Ebook Free How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays
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Review
“Subtle and insightful readings . . . The high point of Mr. Lake’s book is his masterly analysis of Henry V. . . . Anyone interested in Shakespeare should make the effort to read this book. Even someone intimately familiar with the plays will discover much that is new, from details of historical background to interpretations of specific passages.”—Paul A. Cantor, Wall Street Journal“The most detailed, insightful study of [this] topic yet . . . masterful . . . invites readers to a renewed appreciation for Shakespeare’s work—and the intricacies of the dramatist’s mind.”—Dana Huntley, British Heritage“[Lake] enriches and expands our sense of Shakespeare’s political whereabouts over the course of the 1590s and into the last days of Elizabeth’s reign.”—Lee Oser, Library of Law and Liberty“Comprehensive . . . inventive . . . [Lake] enriches our understanding both of Shakespeare as a political playwright and of the public sphere that englobes us still.”—Andrew S. Brown, Marginalia“The lucid, lively, memorable prose, and location at the heart of so many major plays of a bleak and secular vision of reality typified by Machiavellian “commodity politics” compose a landmark work of liberative demystification.”—Chris Fitter, Modern Philology “[How Shakespeare Put Politics on the Stage] is an accessible and deeply researched contribution to the conversation about an endlessly fascinating group of plays . . . this book is surely a notable critical landmark.”—David Womersley, Huntington Library Quarterly“This large and intricate study will be of strong interest to literary scholars of Shakespeare and the early modern. . . . [Lake] communicates with unprecedented vividness the horror Elizabethans felt as they contemplated a future that seemed to portend endless war and uncertainty.”—Leah S. Marcus, Renaissance Quarterly'An immensely learned and deeply insightful monograph disguised as a page-turner. Lake offers the most lucid and believable account to date of, as the title promises, how Shakespeare put politics on the stage. Required reading not only for all Shakespeareans but for anyone interested in how literature speaks to and is shaped by its historical moment.' - Debora Shuger, author of Political Theologies in Shakespeare's England 'Even as Shakespeare’s histories illuminate his times, his times cast light upon those plays. Peter Lake, whose grasp of the Elizabethan political scene is exceptional, illuminates both Shakespeare’s world and works. Historians and literary scholars alike will find this a deeply engaging and comprehensive study.'—James Shapiro, author of The Year of Lear: Shakespeare in 1606'Peter Lake has written an astonishing book, even for Peter Lake. Learned, lively, provocative and often surprising, How Shakespeare Put Politics on the Stage is a brilliant account of Elizabethan politics and Shakespeare’s extraordinary mediation of them. It is a wonderfully sensitive and supple work of literary criticism as well as a deeply engaged account of how Shakespeare’s England (which only retrospectively became “his”) thought about the most urgent political issues of the day.' - David Scott Kastan, author of A Will to Believe: Shakespeare and Religion
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About the Author
Peter Lake is university distinguished professor of history, professor of the history of Christianity, and Martha Rivers Ingram Chair of History at Vanderbilt University. He divides his time between Nashville, TN, and London.
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Product details
Hardcover: 688 pages
Publisher: Yale University Press; 1 edition (January 24, 2017)
Language: English
ISBN-10: 9780300222715
ISBN-13: 978-0300222715
ASIN: 0300222718
Product Dimensions:
7 x 2.2 x 10 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#989,466 in Books (See Top 100 in Books)
The subject of this book is near and dear to my heart and I expected to love this book. Unfortunately, while the author delivers many strong insights, the book is extremely dense and a real burden to read. It commences with a roughly 60-page introduction, which consists mainly of positioning the author vis a vis every other Shakespearean / Elizabethan scholar and showing how his thesis compares and contrasts with theirs. Briefly summarized, his thesis is that the history plays, mainly, having been written at the end of Elizabeth's reign, were portraying themes and perspectives that were very much au courant in various political, arguably treasonous, pamphlets of the era, many of which were written by Catholics and, in one way or another, challenges to Elizabeth. As well, although there was less of this than I had hoped and expected, Shakespeare was encouraged to do this by the Earl of Essex.The book suffers from the author's need to identify and explain every single phrase in every play studied that supports, or can be interpreted as supporting, his thesis. The chapters on individual plays have more words than the plays themselves. I understand why, in an academic work, one would need such detailed exegesis. But it is not optimized for any non-scholar, regrettably.The last problem with the book is that frequently the analysis becomes rather broad and unfocused. In one play, Shakespeare is portraying a usurper. In another, a legitimate monarch who loses his legitimacy due to tyranny. In others, chaos. In others, xenophobia. The author pretends to be offering an overarching and unifying interpretation of the individual works, but fails as he devotes too many pages to the individual play analyses and the forest is lost for the trees.Still, as I am deeply interested in the thesis of the book and there are indeed many insights into the play and the playwright and the era, I recommend the book, just not as much as I would have liked to be doing.
A remarkably perceptive analysis of Shakespeare's history plays and their relationship to the politics of late Elizabethan England.
Learned, well written, entertainingly arranged.
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